— tocando sueños
A gesture begins in silence and ends in sound. Between the two: everything I do.
Barcelona → Budapest, 2026
Manuel Torralba Quevedo (Barcelona, 2001) is a conductor, composer and pianist — someone who has spent his life chasing the moment a gesture turns into sound. He trained in piano at the Conservatori Municipal de Música de Barcelona, in conducting at ESMUC, and in composition at the Conservatori del Liceu, before crossing the Atlantic for graduate study with a teaching assistantship at Florida State University, and now sets off for a master’s in orchestral conducting at the Liszt Ferenc Academy in Budapest. Along the way he has sharpened his craft in courses and competitions from Estoril to Aosta, Tenerife, Hungary, the United Kingdom and Bulgaria — with the Cantelli and International Wind Orchestra competitions still ahead of him.
Liszt Ferenc Academy of Music, Budapest
Florida State University — full Teaching Assistantship
Fundació Conservatori del Liceu, Barcelona
Escola Superior de Música de Catalunya (ESMUC)
Banda Simfònica de Barcelona
Conservatori Municipal de Música de Barcelona
Girton (Chichester) · Cantemus (Hungary) · Borja Quintas (Tenerife) · Ivo Antognini (Aosta) · Estoril (Portugal) · Philippine choral music (ESMUC)
A Crime Scene, premiered at the Sibelius Conservatory Concert Hall, Finland
Pazardzhik, Bulgaria
Estoril, Portugal
Oradea, Romania
Next on the score: Premio Cantelli, the 6th International Orchestra Conducting Competition and the 1st International Wind Orchestra Conducting Competition.
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A divertimento that wears its own seriousness as a punch-line: marked ‘Very serious’ at a relentless tempo, the solo clarinet hurtles through air sounds, slap-tongue and flutter, deadpan and virtuosic by turns.
A one-movement suite for twelve instruments, played ‘with a sense of adventure’: the ensemble breaks out of the garden into open, mischievous and at times secretive terrain before a decisive return.
After discovering Leonard Bernstein’s song cycle I Hate Music, Manuel Torralba wrote his own first cycle — lyrics and all. Four songs trace a young woman’s relationship with contemporary music: Warnings from Daddy (lighthearted dread), I’m a good girl (a somber inner monologue), Mischievous thoughts (a percussive tongue-twister), and I hate contemporary music? — where, the spell broken, she discovers she loves it after all.
Manuel Torralba’s orchestration of Gustav Holst’s Choral Hymns from the Rig Veda — the Hymn to the Dawn, the Hymn to the Waters and the Hymn of the Travellers among them — recast for chorus and orchestra.
Scores published by Brotons & Mercadal and ChoralWorks. Perusal scores available on request.
Coming soon…
Season 2026–27 to be announced
Composer: Manuel Torralba · Conductor: Salvador Brotons
Composer: Manuel Torralba · Conductor: Taras Yasenkov
Composer: Manuel Torralba · Soloist: Roger López · Conductor: Josep Planells
Composer & conductor: Manuel Torralba
Conductor: Pasi Hyökki · International Summer Summit Festival Gala
Composer & conductor: Manuel Torralba · Piano: Oscar Boada
Composer: Manuel Torralba · Conductor: Salvador Brotons · Sound: Roger Soler
Conductor: Manuel Torralba · Choir: Cantemus – Pro Musica
Conductor: Manuel Torralba · Choir: Cantemus – Pro Musica
Orchestration: Manuel Torralba · Conductor: Manel Valdivieso
Composer: Manuel Torralba
A haunting choral piece that fuses Hungarian folk poetry with modernist composition, transforming personal grief into a musical meditation.
Read the essay (PDF)Drop a line about a concert, a commission, or simply to say hello.
or write directly to manuel.t.q@microwan.net · Instagram